I recently worked on the color grade for the feature film The Runaways. There were a few areas where changes were discussed with the client that went beyond your typical color grading tasks and fall more in the realm of visual effects. I had the opportunity to work with advanced VFX software to work out fixes for three of these.
Note that DCTL scripts require the studio version of Resolve.
I was just involved in a discussion on creating IDTs for color grading in ACES cct in Resolve 14 when there is no built-in IDT. Or if the existing IDT isn't ideal.
Here's the process that I worked out: